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Below is a list of piano makes of used pianos commonly available in the UK with some top makes that are less common, and their rating once restored. Ratings have been compiled by experienced piano tuners and are based on tone, touch and stability.
Piano ratings: We have taken as our benchmark U1H Yamaha upright and G3E Yamaha grand pianos made from 1970 to 1980, since they are very common. These are given a rating of 65 = good. Ratings assume the pianos to be restored or reconditioned and in good condition. It must be said, however, that there is a world of difference between a piano that has been well restored, tuned and the hammers voiced, from one of the same make and year that has not been carefully worked on.
0 – 40 = unacceptable
40 – 50 = passable
50 – 60 = fair
60 – 70 = good
70 – 80 = excellent
80 – 90 = superb
90 – 100 = dream piano
Estimates for the number of pianos in the UK vary from 2 to 4 million (figures for 2013). We are using the conservative figure of 2 million. Availability figures are currently being revised for each make; so for instance, we estimate that there is about one “Adam” piano for every 5,000 pianos. Therefore there are about 400 Adam pianos in the UK.
Disclaimer: This site is constantly being revised. If you’re in the piano trade and can add or correct any information please let us know.
New pianos made in the Far East (excluding Japan)
Many older names such as Waldstein, Weber, Bentley, Steinmeyer and Steinbach are now used by companies in China, Korea, Malasia, Indonesia, etc. They are the same in name only and usually have nothing to do with the older style pianos. Ratings below are for the European made pianos unless otherwise stated.
List of most common pianos in the UK - key:
Top quality makes are in large type and bold. Other makes that are good and also have some top quality pianos are in bold. Makes in italics also have some models that are particularly good pianos, the bold ones being the better or these. We’ve only drawn attention to the main ones you’re likely to find so as to make your search faster. Please click on a make for more information.
| Make | Est. | Made by | Made in | Upr. /Gr. | Est’d no. in UK | Rating | Description |
| Adam, Gerhard | 1828 | Adam | Wesel, Germany | U+G | 500 | 60-70 | Generally well made pianos |
| Aeolian | 1903 | Aeolian | UK, USA, Germany | U+G | 1500 | 50-60 | Varied. They made many player pianos |
| Ajello & Sons | 1862 | Ajello | Manchester, UK | U | 700 | 50-60 | Mostly tall overstrung underdamped mahogany uprights with strong tone |
| Allison | 1837 | Allison | London, UK | U+G | 15000 | 50-60 | Varied – low to medium quality; some baby grands quite good |
| Amyl | Coop CWS | London, UK | U | 1500 | 40-50 | Honestly made but mostly basic straight strung over-dampers | |
| Archibald – Ramsden | London, UK | U | 800 | 40-50 | Usually straight strung over-dampers, but quite well made | ||
| Army and Navy | England | U | 1500 | 40-50 | Usually straight strung over-dampers, but quite well made | ||
| Ascherberg | 1865 | Ascherberg | Germany | U+G | 800 | 50-60 | Mid quality overstrung under-dampers with good tone |
| Baldwin | 1862 | Baldwin | Cincinnati, USA | U+G | 300 | 55-68 | Varied. Most of the ones imported to the UK were basic models |
| Barnes W.H. | 1828 | Barnes | London, UK | U+G | 2000 | 45-55 | Nearly all uprights; some 6 octave pianos |
| Barratt & Robinson | 1877 | Barratt & Robinson | London, UK | U | 15000 | 50-60 | Colsed about 1990. Mostly small mid range uprights 1960-1980 |
Bechstein | 1853 | Bechstein | Germany | U+G | 30000 | 60-85 | Prolific high quality maker. See specialist Bechstein page |
| Bell | 1864 | Bell | Ontario, Canada | U | 800 | 50-60 | Generally overstrung. Very varied, poor to medium quality |
| Bentley | 1906 | Bentley | London, UK | U | 20000 | 45-60 | Very varied, poor to medium quality |
| Berry | 1866 | Berry | London, UK | U+G | 3000 | 45-55 | From very basic overdampers to medium quality overstrung |
| Blankenstein | Blankenstein | London & Berlin | U | 500 | Mostly traditional walnut overstrung | ||
Bluthner | 1873 | Bluthner | Germany | U+G | 20000 | 70-90 | Prolific make of high quality pianos. Please see our Bluthner page |
| Bord | 1840 | Bord | France | U | 4000 | 45-52 | Mostly small straight strung overdampers c1890-1910 |
| Boyd (of London) | Boyd | London | U+G | 20000 | 35-58 | From very basic overdampers to fairly good overstrungs | |
Bosendorfer | 1828 | Bosendorfer | Vienna, Austria | U+G | 1500 | 50-95 | Austrian pianos of high quality. pre 1900 grands have “Viennese” actions |
| Boston | 1991 | Kawai/Steinway | Japan | U+G | 1000 | 50-95 | Austrian pianos of high quality. pre 1900 grands have “Viennese” actions |
| Branston | Branston | London | U | 200 | 50 | Mostly basic pianos | |
| Brasted | Brasted (pre 1960) | London, later Malaysia | U | 4000 | 50-65 | Honest well made British pianos | |
| Brinsmead, John | 1836 | Kemble | London, UK | U+G | 30000 | 50-70 | Very varied prolific English maker |
| Brinsmead, Stanley | 1894 | Stanley Brinsmead | London, UK | U | 500 | 40-50 | Stanley Brinsmead are usually straight-strung overdamper half iron frame pianos. |
| John Broadwood | 1728 | Broadwood | London, UK | U+G | 40000 | 40-80 | John Broadwood pianos are an inventive British firm with extreme variation in quality and style of upright and grand pianos |
| Broadwood White | Leipzig, Germany | U | 900 | 45-48 | Mostly basic straight strungs | ||
| Brock, Bernard | 1890 | Saul Silkand-Zormich & Cramer | London, UK | U | 400 | 45-48 | |
| Brodmann | 1812* | China | U+G | 200 | 60-75 | *modern Brodmann c2001 | |
| Browne, Justin | 1870 | Browne | London, UK | U | 500 | 40-50 | Well made but most pre 1890 overdampers |
| Challen | 1804 | Challen | London, UK | U+G | 75000 | 50-68 | Can be quite reasonable but vary. The UK’s most common baby grands |
| Chappell | 1811 | Chappell, later Kemble | London, UK | U+G | 80000 | 50-70 | Varied but generally good. Old ones can be quite basic |
| Churchill | Bristol, UK | U | 1500 | Mostly basic straight strung overdamper pianos in a traditional case | |||
| Collard and Collard | 1760 | Collard, later Kemble | London, UK | U+G | 35000 | 40-70 | Extremely varied prolific British maker spanning over 200 years |
| Cramer | 1824 | Cramer, later Kemble | London, UK | U+G | 10000 | 45-68 | Plenty of variety. Many baby grands and post 1900 uprights |
| Crane | Liverpool, UK | U+G | 2000 | 35-50 | Mostly basic uprights | ||
| Dale Forty | Dale Forty | UK & China | U+G | 7000 | 35-50 | Pre -1950 Dale Forty pianos are basic British pianos | |
| Danemann | 1892 | Broadwood & Son | London, UK | U+G | 20000 | 44-68 | Prolific and varied maker. Please click on name for more details |
| Duck Son and Pinker | 1848 | Bristol Piano Co. | Bath, UK | U+G | 8000 | 35-50 | Mostly basic straight strung overdamper uprights |
| Eavestaff | 1823 | Brasted | London UK & China | U+G | 17000 | 35-68 | Mini pianos generally basic. Baby grands fair. Other uprights medium |
| Eberhardt | Eberhardt | Berlin, Germany | U | 500 | 40-45 | Eberhardt Pianos are very basic pianos with half-plate iron frames | |
| Elysian | Morley & Co Ltd | London, UK | U+G | 45-60 | Name used mainly by Morleys of London. Varied | ||
| Erard | 1777 | Erard | UK & France | U+G | 40-68 | Very varied; historic inventor | |
| Estonia | 1893 | Estonia Piano Factory | Tallinn, Republic of Estonia | U+G | 200 | 50-60 | The Estonia grand piano produces a reasonable tone. |
| Eungblut, Rogers | c1920 | Kemble | London, UK | U | 200 | The name Rogers Eungblut was used by Kemble in about 1930 | |
| Fazioli | 1980 | The Fazioli Factory | Sacile, Italy | G | 85-95 | Fazioli was established in 1981 | |
| Fazer | c1960 | Hellas | Helsinki, Finland | G | 3000 | 55-68 | Modern pianos. Fazer are generally good with rich bass and firm touch |
Feurich | 1851 | Feurich | Germany, China & Austria | U+G | 1500 | 65-75 | Old and modern ones well made |
| Forster, August | 1859 | Forster | Lobau, Germany | U+G | 4000 | 55-70 | Vary varied in quality – passed through “Iron curtain” phase |
| Fuchs and Mohr | 1921 | Eisenberger | Eisenberg, Germany | U | 4000 | 40-55 | Small modern pianos with mahogany cases dated from about 1965 to 1980 |
| Giles | Giles Pianos Ltd | London, UK | U+G | 1000 | 50 | From the same factory as the very common Zender | |
| Godfrey | 1885 | Godfrey | London, UK | U | 7000 | 35-48 | Mostly basic uprights: straight-strung and over-damped |
| Gors and Kallman | 1877 | Albert Meyn | Berlin, Germany | U+G | 15000 | 50-70 | Older uprights overdampers but good tone. Baby grands generally good |
| Grand, A | c1880 | Fred Manthey | Berlin, Germany | U+G | 1000 | ||
Grotrian Steinweg | 1858 | Grotrian Steinweg | Braunschweig, Germany | U+G | 6000 | 60-90 | Prolific make of high quality pianos. Uprights 1900 to 1930 outstanding |
| Haake, Karl | 1836 | Hannover, Germany | U+G | 1000 | Unique, warm and interesting tone; mostly 1880 to 1910 | ||
| Hellas | 1901 | Hellas Piano co | Helsinki, Finland | U | 500 | 50-60 | Hellas are similar to Fazer but action generally not as good |
| Hickie and Hickie | London, UK | U | 15000 | 35-48 | Mostly basic straight strung overdampers 1890 – 1910. later overstrung | ||
| Hoffmann | 1893 | Various | Various | U+G | 150 | 50-75 | Name used on both basic British and high quality German pianos |
| Hoffman & Czerny | 1903 | Vienna, Austria | U+G | Very high quality baby grand pianos with rich tone and well weighted touch | |||
| Hopkinson | 1835 | London, UK | U+G | 20000 | 45-65 | Very common British make. Older ones overdampers | |
| Ibach | 1794 | Ibach | Germany | U+G | 15000 | 50-80 | Older ones overdampers but good. Grands generally fine quality |
| Kastner | Barratt and Robinson | London, UK | U | 400 | 45-55 | Mostly small modern uprights 1960-1970. A few older ones 1890-1930 | |
| Kaps | c1890 | Ernst Kaps | Dresden, Germany | U+G | 2000 | 55-80 | Mainly one style of quality upright piano made from about 1898 to 1930 |
Kawai | 1927 | Kawai Pianos | Hamamatsu, Japan | U+G | 10000 | 55-85 | Japanese pianos (later ones made elsewhere too) of generally good quality |
| Kemble | 1911 | Kemble | UK | U+G | 120000 | 55-78 | Varied in quality but best are very good |
| Kimball | 1857 | The Kimball Piano co | USA | U+G | 3000 | 55-65 | Those in the UK c1960-70 small uprights |
| Kirkman | 1730 | Kirkman, Collard | London, UK | U+G | 500 | 30-55 | Mostly very old British pianos. Many grands |
| Knight | 1936 | Knight | London, UK | U+G | 30000 | 58-80 | Respected British maker. Best between about 1960 and 1980 |
| Lindner | c1960 | Lindner | Shannon, Eire | U | 1000 | 35-50 | Irish pianos with revolutionary plastic action for which no spares are readily available |
Lipp, Richard | 1831 | Lipp, later Bentley | Stuttgart, Germany | U+G | 6000 | 55-90 | Lipp pianos made with great integrity. Rich warm tone. Baby and boudoir grands generally excellent |
| Marshall and Rose | 1907 | Whelpdate, Maxwell & Codd | London, UK | 400 | 50-65 | British pianos of medium quality | |
| Mason & Hamlin | 1854 | Mason & Hamlin | Massachusetts, USA | 100 | |||
| Mickleburgh | Bristol, England | 2500 | |||||
| Minstrelle | 1877 | Barratt and Robinson | England | U | 300 | 40-50 | Small pianos made by Barratt and Robinson |
| Monington and Weston | 1858 | Monington and Weston | London, UK | U+G | 18000 | 50-65 | Many low quality baby grands made with “simplex” actions. Uprights can be very good |
| Moore and Moore | 1838 | Kemble | Stoke Newington, UK | U+G | 1500 | 50-58 | Fair quality British pianos |
| Morley, Robert | 1881 | Morley | Lewisham, London | U+G | 60000 | 50-55 | Fair quality British pianos |
| Murdoch | 1862 | Spencer & Murdoch | London, UK | U+G | 2000 | 35-55 | Common basic British pianos |
| Neumeyer | 1905 | Berlin, Germany | U+G | 20000 | 50-65 | Mid-range German pianos. Best ones have rich warm tone | |
| Niemeyer | c1890 | Niemeyer + Dongbei China | Korea & Germany | U+G | 45-55 | Old ones low to mid range German pianos | |
| Neindorf | c1900 | Germany | Luckenwald, Germany | U+G | 2000 | Mostly mid range pianos 1910-1930 | |
| Nordiska | 1985 | Nordiska, later DongBei | Sweden, later China | U | 1000 | Mostly 1985-1990 small uprights | |
| Papps | c1900 | Portsmouth, England | 20000 | 35-50 | Mostly basic uprights. Portsmouth firm with specially designed metal wrest plank for environments with varying humidity | ||
| Pearl River | 1955 | Guangzhou Piano Factory | Guangzhou, China | 2000 | |||
| Petrof | 1864 | Petrof | Hradec Kralove, Czechoslovakia | U+G | 200 | 50-80 | Wide range of quality in uprights. Some early baby grands are outstanding |
| Pfeiffer | 1862 | Pfeiffer | Germany | 100 | Mostly pre 1900 in UK. Not yet rated | ||
| Pleyel | 1807 | Pleyel | Paris, France | 20000 | 45-68 | Much varietly in quality from this French maker | |
| Reid Sohn | 1859 | Samick factory | Paris, France | U+G | 8000 | 45-60 | Large Korean factory |
| Reisbach | c1920 | Rogers | London, UK | 800 | 50-65 | Fair quality British pianos made by Rogers with influence from Grotrian Steinweg | |
| Ritmüller | 1795 | Ritmuller, later Pearl River | Germany, later China | 1500 | 55-70 | Old ones mostly tall traditional | |
| Rogers, George | 1843 | Rogers | London, UK | U+G | 16000 | 55-70 | Good factory with long history. Older ones may not be worth reconditioning |
| Ronisch | 1845 | Pfeiffer, later Bluthner | Dresden, Germany | U+G | 1000 | 45-75 | Older ones very well made. Modern ones more varied |
| George Russell | 1842 | R&R | London, UK | U | 2000 | 50-55 | Mostly basic straight-strung overdamped pianos, well made with a good tone |
| Russel (and Russell) | Russell and Russell | London | U | 1000 | 45-58 | Honestly made cheaper uprights mainly from early 1900s | |
| Russell, George | 1842 | Russell | London, UK | U | 50-55 | Mostly basic straight-strung overdamped pianos with a sweet tone | |
| Sames | F.Mills & Co | Scotland | U+G | 900 | 50-55 | Mostly overstrung uprights | |
| Samick | 1989 | Samick | Korea/ Indonesia | U+G | 10000 | 45-60 | Large Korean factory |
| Sauter | 1819 | C. Sauter & Co | Spaichingen, Germany | U+G | 500 | 58-78 | Well made German uprights and grands |
| Schiedmayer | 1809 | J.and P.Scheidmayer | Neckarstrasse, Germany | U+G | 10000 | 58-78 | Well made German uprights and grands |
| Schimmell | 1885 | W. Schimmell | Neuschonefeld, Germany | U+G | 4000 | 55-68 | Mid-range German uprights and grands |
| Seiler | 1849 | Eduard Seiler | Liegnitz, Germany | U+G | 8000 | 58-78 | Well made German uprights and grands |
| Spencer | 1883 | John Spencer & Co | London UK | U | 10000 | 45-62 | Common British maker from about 1900 to 1940. Modern ones from different factories |
| Squire (and Longson) | c1910 | Squire, later Kemble | London UK | U+G | 10000 | 50-60 | Mid range British pianos |
| Steck | 1857 | Aeolian Weber & Pianola Co | Cassel, Germany | U+G | 5000 | 55-70 | Uprights have warm tone; baby grands vary in quality |
| Steinberg | 1908 | Steinberg & Co | Berlin, Germany | U+G | 2000 | 60-75 | Mostly well made modern pianos |
| Steingraeber & Sohne | 1852 | Eduard Steingraeber | Bayreuth, Germany | U+G | less than 100 | 70-90 | Mostly grands, see own page. |
Steinway | 1853 | Steinway & Sons | Mainly New York and Hamburg | U+G | 65000 | 60-95 | Mostly German Steinways found in the UK |
| Ströhmenger | 1835 | Chappell | London UK | U+G | 5000 | 50-65 | Good quality British pianos |
| Stuart & Sons | c1990 | Stuart Piano Co | Australia | G | 3 | 75-90 | Hand made top quality grands |
| Waddington | 1838 | Waddington | London UK | U | 2000 | 45-55 | Basic British piano, can have a reasonable tone. Grands basic |
| Waldemar | Waldemar | U | 600 | 45-55 | Mostly traditional walnut upright overstrung with warm tone | ||
| Waldstein | Waldstein | Various | 11000 | 45-58 | Name used by British, German and Chinese pianos at various times. Modern Chinese Waldsteins are nothing to do with the older pianos | ||
| Weber | c1860 | Weber | USA, UK, Korea, China | 6000 | 46-68 | Older ones well made. Modern ones made in the Far East | |
| Welmar | 1925 | Welmar | London England | U+G | 25000 | 55-75 | Good quality British pianos. Older uprights varied. Baby grands copy of Bluthner. Please see our makes list for more details |
| Wendl & Lung | c1920 | Wendl Lung | Austria | U+G | 500 | 60-75 | Mostly modern pianos c2001 to 2011 |
| Windover | Smith | Manchester & London, UK | U+G | 1000 | 45-60 | Mostly traditional uprights in mahogany | |
| Witton and Witton | 1838 | Witton and Witton | London, UK | U+G | 800 | 45-55 | Basic British piano. Grands not well made |
| Yamaha | 1887 | Yamaha | Japan | U+G | 50000 | 48-90 | Most prolific maker in the world. Huge range in quality |
| Young Chang | 1956 | Young Chang | Seoul Korea | U+G | 8000 | 45-60 | Large Korean factory; see onw page. |
| Zender | 1892 | Zender | London, UK | U+G | 40000 | 48-60 | Always very small pianos; Over 70,000 made in the UK, mostly 60s to 80s |
| Zimmerman | 1884 | Zimmerman | Germany | U+G | 2000 | 45-70 | Mostly modern baby grands and uprights of low to medium quality |









