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Below is a list of piano makes of used pianos commonly available in the UK, and their rating once restored. Ratings have been compiled by experienced piano tuners based on tone, touch and stability.

PIANO RATINGS: We have taken as our benchmark U1H Yamaha upright and G3E Yamaha grand pianos made from 1970 to 1980, since they are extremely common. These are given a rating of 65 = good. Ratings assume the pianos to be in good condition. If must be said, however, that there is a world of difference between a piano that has been well restored, tuned and the hammers voiced, from one of the same make and year that has not been carefully worked on.


Less than 40 = unacceptable
40 - 50 = passable
50 - 60 = fair
60 - 70 = good
70 - 80 = excellent
80 - 90 = superb
90 - 100 = dream piano


Estimates for the number of pianos in the UK vary wildly from 4 to 7 million. We are using the conservative figure of 4 million. Availability figures are currently being added for each make; so for instance, we estimate that there is about one "Adam" piano for every 5000 pianos. Therefore there are about 800 Adam pianos in the UK

DISCLAIMER! This site is constantly being revised. If you're in the piano trade and can add or correct any information please let us know.

New pianos made in the Far East (excluding Japan)
Many older names such as Waldstein, Bentley, Steinmeyer and Steinbach are now used by companies in China, Korea, Malasia, etc. They are the same in name only and have nothing to do with the older style pianos.

List of most common pianos in the UK - key:
Top quality makes are in large type. Makes in italics also have some models that are particularly good pianos. We've only drawn attention to the main ones you're likely to find so as to make your search faster. Please click on a make for piano rating and more information.

AE  
  Knauss
Schwechten
AdamEavestaffKnightSeiler
AddisonEberhardtKraussSojin
AeolianEcke, Carl Spencer
Ajello & sonsElysianLSquire and Longson
AllisonErard Steck
AmylEssexLambertStienberg
ApolloEstoniaLegnicaSteingraeber & Sohne
Army and NavyEungblut & EungblutLindnerSteinmayer
Archibald Ramsden
Eungblut, RogersLipp, RichardSteinway
Ascherberg  Strohmenger
Atlas MStuart & Sons
 F  
B Manson & HamlinT
 FazioliMarshall and Rose 
BachhausFazerMickleburgToyo
Baldwin
Feurich, JuliusMinstelle 
Bansall & SonForster, AugustMonington and WestonU
BarnesFuchs & MohrMoon 
Barratt and Robinson Moore and MooreV
BechsteinGMorley, Robert 
Belarus MunckVenable, C.V.
BellGaveauMurdoch 
BentleyGerard W
BeulhoffGersham & CoN 
BlankensteinGeorge RussellNeumeyerWaldemar
BluthnerGilesNiemeyerWaldstein
BordGodfreyNeindorfWallace Ash
BosendorferGors and KallmanNordiskaWard, Henry
BostonGrand Weber
Boyd (of London)GreshamOWelmar
BranstonGrotrian Steinweg Wendl & Lung
Brasted PWindover
Brinsmead, StanleyH Windsor
Brinsmead PappsWinkelmann & Co
Broadwood, JohnHaakePerl RiverWitton and Witton
Broadwood WhiteHellasPerzinaWolframm
Brock, BernardHickie and HickiePetrofWoodchester
BrodmanHoffman and Czerny
PfeifferWornum, Robert
BrooklynHoffmannPleyelWurlitzer
Brown, JustinHopkinsonPsalmist 
Browne, JustinHupfeld X
Burling MansfieldHyundaiQ 
Burnand  Y

 

I  

C

 RYamaha
 Ibach Young Chang
Cameo (see Lindner) Rameau 
ChallenJReid SohnZ
Chappell Reisbach 
Churchill
 RippenZender
Collard and CollardKRitmulerZimmerman
Collingswood Ronisch 
CramerKastnerRosler 
CraneKapsRoyal 
 KawaiRussell (and Russell) 
DKeith  
 KellmanS 
DaewooKemble  
DalmaineKimballSames 
Dale FortyKemmlerSamick 
DanemannKing BrosSauter 
Duck Son and PinkerKirkmanScheidmayer 
Dussek & DussekKnakeSchimmell 
Duysen   

TERMINOLOGY USED IN THE INDIVIDAUL MAKES PAGES:

Here is a brief explanation of the terminology used in the decription of the above piano makes:
MAIN STYLES OF UPRIGHT PIANO
There are four main styles of upright piano: overstrung underdamper,straight strung underdamper, overstrung overdamper and straight strung overdamper. Here is a brief description of each:

Underdamper. All modern pianos are underdampers, which means that the dampers, which cut off the sound after the note has been played, are underneath the hammers. when looking down inside the piano from above, you can see the hammers with the dampers beneath them.

DSCF6881

Overdamper. When you look down inside the piano, there is a plank of wood over the hammers, meaning that you can't see them easily.The dampers are above the hammers and are connected to the action with long cage-like rods. the damping is less efficient than underdampers,especially in the mid treble where the damper os too close to the top of the string to work efficiently. Most overdamper pianos, unless madeby a top make such as Bluthner or Ibach (both of whom produced many good ones), are not worth restoring if you want a good all round instrument.

DSCF6940

Overstrung. Practically all new pianos are overstrung, which means that the copper bass strings cross over the steel treble ones.This means that the bass strings can be longer and therefore produce a deeper tone.


DSCF6873

 Straight strung There are many older, mainly British uprights that are straight strung.This means that the base is weaker as the strings are shorter. However, some manufacturers made excellent straight strung pianos, notably Bechstein and Lipp, who deliberately designed the piano as a straight strung in order to produce a sweet tone and also to give an alternative cabinet style. The Bechstein model 10, for instance, has strings as long as the overstrung model 9 but a different style cabinet.

DSCF6890

MAIN STLYES OF GRAND PIANO
There are two main styles of grand piano: overstrung and straightstrung. Please see upright piano styles for an explanation. Only some pianos made before 1900 are straight strung.

GRAND PIANO ACTIONS
There are three common styles of Grand piano action: the normal roller action, the simplex action and the Bluthner patent action. these account for 99% of grand piano actions in pianos made from 1880; piano made before 1880 may however have a variety of different actions. Older Bosendorfer grand pianos (before 1890) often have Vienesse actions, which are not recommended.

Simplex actions
These are as the name implies, these are simpler than the normal roller actions found in over 90% of grand pianos. The most common firms that installed them are Challen and Minington and Weston (practically all Monington actions are simplex and about 40% of Challens). They are chosen as they take up less space and the piano can therefore be shorter. Firms making a large number of simplex actions made the touch feel very acceptable, though they are never as effective as the standard roller action and also tend to wear quicker. Other firms occasionally using simplex actions are Broadwood, Chappell, Lipp (rarely) and Allison.

Last Updated on Friday, 03 September 2010 15:35
 
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